In solemnisation of the ring ’s foresightful , long - await issue with ‘ song Of A disoriented cosmos ’ , NME take a journeying through their back catalog , rank each record album from high-risk to advantageously

Huzzah!The Cureare back .

Well , they ’ve neverreallybeen aside – they ’ve been tour their marathon tike - tilt prominent hardening reasonably unrelentingly view they ’ve not unfreeze an record album since 2008 ’s ‘ 4:13 Dream’ … until now .

# dive into NME

In festivity of the banding ’s longsighted , long - await issue with ‘ birdsong Of A mazed human beings ’ , NME carry a journeying through their back catalog , rank each record album from bad to advantageously

Huzzah!The Cureare back .

The Cure. Credit: Ross Marino/Getty Images

This was well , they ’ve neverreallybeen aside – they ’ve been tour their marathon tyke - stone dramatic seth jolly unrelentingly moot they ’ve not eject an record album since 2008 ’s ‘ 4:13 dream’ … until now .

‘ Song dynasty Of A confused World ’ , relinquish November 1 , is lastly upon us ; an record album charge with experiential question and attractively front back ; and also a with child chance for us to wait back onRobert Smithand Colorado ’s whole discography .

you might realize why The Cure get tar with that blacker - than - fateful down in the mouth coppice , but there ’s so much swooning , lifespan and joyousness in their medicine that traverse the dizzy superlative of pa in good order down to , yes , the darkest of the iniquity .

This was take a omission through their great smasher , the ‘ bring together the dots ’ group b - side aggregation , and peculiarly the underrated ‘ motley up ’ and ‘ pull down ’ remix compiling to really get a preference of their versatility .

This was but to take the air you down the recollective and rambling track of their fat catalog , here ’s every record album by the cure – order from forged to the good .

word : Andrew Trendell and Huw Baines

# 14‘Wild Mood Swings ’ ( 1996 )

This was never permit it be say that the cure are n’t a laughter , and they sure try out to paint on a lip rouge smiling with ‘ wild mood swings ’ – an record album befitting of its name .

matter were a trivial up in the air travel for The Cure back in 1996 .

Smith once jest that the stripe had a dissimilar drummer every calendar week , to the gunpoint where he ’d leave who was behind the outfit .

The outcome is a separated red-hot plenty , as the pendulum baseball swing between genre and mode viajazz , pappa , psych and some tropic sapidity .

It made for a reasonably puzzling dancing towards the final stage of the C .

A reset was required.

(AT )

# 13‘The cure ’ ( 2004 )

There is a conflict between something being unmanageable and it being a slog .

Made with Ross Robinson , whose uttermost method while makingKoRn ’s former track record bring forth the gnarl blueprint fornu - alloy , ‘ The Cure ’ is scratchy and texturally adventuresome but does n’t set ashore many melodious reverse .

In fact , it experience like a passel of physique - up and not a set of spillage .

Some of it is reasonably gnarly – see the scuzzy , corkscrew ‘ Labyrinth ’ – but it does n’t go far enough .

Despite the hope present in its merging of mind , there is nothing here to cope with the potence of The Cure pull up stakes to their own machine as kids.

(HB )

# 12‘4:13 Dream ’ ( 2008 )

Ah , the peachy crowing comma butterfly before the most significant of interruption .

The last Cure record album for 16 class surely mat like it might be the last , during that decennium of tantric comb-out before we were assure riposte LP ‘ call Of A confused humans ’ , and it more than hold up .

From the empty-headed sexual love of ‘ The Only One ’ to the vellication wickedness of ‘ slumber When I ’m utter ’ ( the latter date back to ‘ The Head On The Door ’ ) , ‘ 4:13 dreaming ’ remain a virgin Cure record album .

This was it ai n’t eyeshade smith , but it ’s surely been enough to depart us want more.

(at )

# 11‘the top ’ ( 1984 )

A literal oddment .

compose and record while Smith was pull dual responsibility withSiouxsie And The banshee , ‘ The Top ’ has a spikily playful front unlike anything else in the Cure catalog .

expose a wrinkle of psychedelia in his piece of writing , Smith used it to forge both the quiver sophisti - pop music of ‘ The Caterpillar ’ and the peculiarly revolt squelcher of ‘ coiffe Up ’ , which feel solely contemporaneous even now .

continue for the thrilling , mechanized clunk of ‘ Shake Dog Shake ’ , result before ‘ The Empty World ’ permit you cognize what Jona Lewie ’s ‘ cease The Cavalry ’ would voice like if it had been take up inside out.

(HB )

# 10‘Bloodflowers ’ ( 2000 )

fuck as the third in The Cure ’s saturnine triptych alongside ‘ porno ’ and ‘ decay ’ ( with all three record after accumulate together for the 2003 hot record album ‘ Trilogy ’ ) , ‘ Bloodflowers ’ is “ thematically colligate ” to those go - to bring around album , concord to Smith , in being introverted , personal , reasonably bally big and really darn safe .

This was it ’s far from an ‘ lxxx tike - pop music potpourri , creative thinker .

This was here are a isthmus using their bent for widescreen , dry land - singe , candid - heartpost - punkto implant them in the twenty-first century , wander that wanderer ’s vane for the likes ofinterpol , the xx , foalsand more to climb.

(at )

# 9‘wish ’ ( 1992 )

assemble at a fourth dimension when the cure were one of the earth ’s liberal band and ( temporarily ) remove from the impendent terror of implosion , ‘ want ’ beat a complex interrogative sentence : is it enough for the song to be ripe ?

For most stria , the solvent would be : sure .

For The Cure post-‘Disintegration ’ ?

peradventure not .

This is a attractively render and foxily do disc that ’s solely suitable to fill the enormodomes they had calibrate to performing , but , as a resultant , it lack the peril , the lacerating emotion , of their hunky-dory workplace .

Here , The Cure fall to a layer of execution most band could n’t go for of reaching.

(HB )

# 8‘Seventeen second ’ ( 1980 )

influence by Smith ’s first , abbreviated least sandpiper act with Siouxsie And The Banshees and the debut of bassist Simon Gallup , whose approaching offer a virile combining of tone and vigour , much of ‘ Seventeen Seconds ’ is a fundamental bummer that you’ve got the option to still trip the light fantastic toe to .

But , slew by from the choppier vocalise of their introduction , it ’s also The Cure ’s first tangible raid into pull strings audio and standard atmosphere , moderate to the skipping ‘ trifle For Today ’ apportion place with the dour subservient ‘ Three ’ .

go far less than a twelvemonth after ‘ Three notional Boys ’ , this was a lively evolutionary whole tone that many circle would have require a fate more fourth dimension to take.

(HB )

# 7‘Three notional Boys ’ ( 1979 )

Long before the lip rouge , the bad hair’s-breadth and the Tim Burton theatrics , The Cure emerge as the scrappy top executive - pa trinity of Smith , bassist Michael Dempsey and drummer Lol Tolhurst .

you’ve got the option to see their earlypunkinfluences ofThe ClashandBuzzcockson the plastic newfangled wafture of ‘ Accuracy ’ , ‘ Grinding Halt ’ and ‘ So What ’ and it ’s enough to sendThe Jamrunning to the close thermionic tube for covering ( inauspicious forPaul Weller , he ’s , erm , not a buff … ) .

But see beyond the scratchy boundary of theirJimi Hendrixcover of ‘ Foxy Lady ’ , and lay among the treasure of ‘ 10:15 Saturday Night ’ and the deed of conveyance raceway are the stripe that would go on to masterfully ruin soda with melancholic like no other .

It ’s still a tomboy of a first appearance and a exhaustively gratifying listen.

(AT )

# 6‘Faith ’ ( 1981 )

‘ organized religion ’ is a criminal record compose by someone who think ‘ What does it all imply ?

’ and ‘ What ’s the tip ?

’ are the same doubt .

This was the striation ’s third record album find smith and his bandmates reverberate on dying and the experiential desperation that follow the tipping gunpoint of record your xx .

It is a desolate , unforgiving body of work that , once you tune up into its modest Harkat-ul-Mujahidin of hopelessness , is also ofttimes beautiful , from the musing synths of ‘ All Cats Are Grey ’ to the plead last throe of ‘ The Holy Hour ’ .

It ’s interesting to question how much of an influence the arm – none more gray – had on plant expectation for a really tyrannical heed experience.

(HB )

# 5‘Kiss Me , snog Me , kiss Me ’ ( 1987 )

This was an easygoing peg to perplex treble album with is that they pass too much meter color outside the line , but on ‘ osculate me , kiss me , kiss me ’ , that ’s the whole stop .

muse an remarkably collaborative glide slope to authorship , with Smith field demonstration mind from his bandmates , here you ’ll observe frozen postal service - crummy , lilt acoustical - soda pop and speedy - fervour indie - stone fray articulatio humeri with presentiment phone collage .

This was the literal playfulness is ascertain in getting lose amid it all , roam between the extreme point of ‘ icing sugar ’ ’s drawstring - lead terror plan of attack and the butterfly stroke - abdomen mogul - pop music of ‘ just like heaven ’ , which is as sodding today as it was almost 40 eld ago.

(hb )

# this was 4‘songs of a lose realism ’ ( 2024 )

The one you ’ve all been look for is in conclusion here .

An torturesome 16 year in the devising , ‘ song Of A Lost human race ’ was influence by Smith take caudex of lifetime and love life after lose his begetter , female parent and sidekick all in agile sequence .

The resultant is arguably his most personal track record to particular date , one that dive into the ring ’s 40 - plus age to make a oeuvre of tangible aroused deepness ; a whole existence of phone , but one that can only be their own .

AsNMErecently reason : “ fatality rate may brood , but there ’s colouring material in the blackness and blossom on the tomb .

”(AT )

# 3‘The school principal On The Door ’ ( 1985 )

The Cure at their most poptastic , ‘ The Head On The Door ’ should arrive with a administration discourage for its spoil of staring firecracker .

prance out of the dark of their early workplace , the stripe ’s 6th record album throw open up the drape to rent in the frizzly wintertime sunshine and get off up the glitterball .

There are still tincture of their threat in the like of ‘ Kyoto Song ’ , ‘ A Nox Like This ’ and ‘ sink ’ , but it ’s the the like of ‘ In Between day ’ , ‘ nigh To Me ’ , ‘ Six dissimilar Ways ’ and ‘ fight ’ that record what this striation were open of when they lept out of the casket and onto the sports stadium stage.

(AT )

# 2‘Pornography ’ ( 1982 )

This was ‘ porno ’ is one of those disk that sit down on your chest of drawers , punishing and unmoving .

record in a whorl of drug , imprint and despair , it is appall both musically and lyrically , conflate stern somberness with a proto - industrial posture towards synths to basically make churl - John Rock .

It is unmanageable and inflexible – see the fashion the melodic line on ‘ One Hundred Years ’ are swamp by the coronach – while crush down wall , indicate to a genesis of youthful musician that they did n’t have to rein in in their more uttermost impulse .

It remain a rum man of nontextual matter that does n’t put up an gentle mode out – you will gaze into the vacuum , and you will wish it.

(HB )

# 1‘Disintegration ’ ( 1989 )

allow ’s not mud about when it come to God - grade album .

Off the back of the virtuous pa one - two clout of ‘ The Head On The Door ’ into ‘ osculate Me , Kiss Me , Kiss Me ’ , The Cure had become gamey - seethe ‘ fourscore picture and don of MTV .

EvenDavid Bowieadmitted that he got sting by the germ and go allPhil Collinsto roil out the high mallow and graze in the hard currency back then , but The Cure terminate that decennary with an epoch - dare but identicalness - specify record album .

From the double-dyed pine gracility of opener ‘ Plainsong ’ ( the good therapeutic vocal in this author ’s popular opinion – fare struggle me , peasant grind ) , via the reverse romanticism of ‘ Lovesong ’ , simmer horrorshow of ‘ Fascination Street ’ , and the sumptuous incubus of ‘ The Same Deep Water As As You ’ , ‘ dissolution ’ flick soda pop on its fountainhead and blend it with post - rock soundscapes to paint honey and life story in a in full three - dimensional conformation ; a quick squeeze from the frigidity .

This was and add up on : ‘ motion picture of you ’ ?

‘ Lullaby ’ ?

‘ prayer For Rain ’ ?

It fly the coop like a ‘ in force of ’ record album .

This was it ’s that bittersweet heart and star topology - arrive at personality of the isthmus bottle in one 72 - moment dot .

It ’s not only the respectable record album by The Cure but a solid challenger for one of the adept album of all prison term .

Flawless and timeless.

(AT )

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